The materials already know

My work begins with the physical qualities and associations that materials already carry. I use wood, wool, rope, steel strapping, paper, fabric, cement and found objects, often taking them out of their usual context so that new layers of meaning can emerge.

I am interested in how separate materials and forms can be connected. In my sculptures, elements are tied, wrapped, bound and held together. Soft materials such as wool suggest warmth and care, while industrial steel strapping can support and protect, but also exert pressure and control. These contrasts are physically present in the work rather than merely represented. The methods of construction remain visible and become part of the work.

This approach continues in my two-dimensional work. In my cyanotype collages, I cut simple geometric forms by hand, divide them into parts and rearrange them into new rhythms and structures. Across both two- and three-dimensional work, experimentation, reduction and the search for essence guide my process.

My work explores autonomy, protection, resilience and the possibility of rebuilding. I want it to remain direct, tactile and honest.

Elsiena